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The Press about "REFLECTION" | |
"...Digesting Khabarova's iconographic stage images is an amazingly filling experience... the fifty-minute performance is at once sensual, spiritual, ephemeral and indelible. | |
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March issue of Dance Europe (UK) by Donald Hutera |
"... an inovation of very own instincts that the blood stops in your veins..." | |
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Potsdamer Neueste Nachrichten , Frank Jast, 5. June 2000 |
"... what's striking about DEREVO's work is the high percision and the love to well thought details which makes this theatre so inspiring..." | |
Sächsische Zeitung, Timo Heimerdinger, 5. October 1999 | |
"...the imagination takes
a walk by the meander of a capricious mythology, on a twisted string between
the Antiquity and the Apocalypse. The gesture - neither theatre neighter dance - is unbridled until the absolute and never ostentatious in the disquieting world of Tanja Khabarova, where an elastic, fine and farcical temporarily reigns." |
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La Libre Belgique, M.Ba., 26. August 1999 | |
A tiny, mercurial and quite magical presence, the elfin Khabarova now goes it alone – a treat for anyone who's previously been amazed and charmed by her particular blend of innocence, friskiness and poignancy. | |
Mary Brennan, “The Herald”, August 2004 | |
There is an inner strength buried deep within this delicate Russian creature which makes her a most beguiling performer. | |
Kelly Apter, “The Scotsman”, August 2004 | |
What Khabarova gives is less a performance than an offering: an hour of truth. | |
Elizabeth Schwyzer, “The List”, August 2004 | |
Beautiful and innovative, arguably to the point of being pretentious and self indulgent, Reflection astounds, baffles and disturbs its viewers. | |
Sarah Ream, “Fest”, August 2004 | |
Khabarova’s Reflection on Creation evolves through each spectator’ subsequent self-reflection. | |
Fiona O’Hanlon, “Edinburgh Guide”, August 2004 | |
Newest press from EDINBURGH FESTIVAL FRINGE 2004 | |
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